By Max Redden
At the 1989 ACGA Convention in New Orleans, I spoke about the number of new fake Cut
Glass pieces that have been sold in the last 8 to 10 years. Since then, I have compiled a
list of 40 known patterns that have been sold to many collectors all over the country.
Everyone of these pieces can be recognized by one of several methods. Since only a
small portion of ACGA membership attends the Convention, I think everyone should be warned
to be on the lookout for these fake pieces of glass, should they be offered for sale.
There are still some very good pieces to be acquired, but you must be able to tell the
difference.
There are five things to look for in a piece of old American Brilliant Period Glass: 1.
Fluorescence; 2. Signature; 3. Shape of the Blank; 4. Wear Marks on the Bottom and Face of
the Blank; and 5. Diamond Wheel Cutting.
1. Fluorescence Any of the new pieces pieces will show a Pink or Purple color
when exposed to a 15 Watt Blacklight Blue Fluorescent Bulb in a dark room.
2. Signature The signature on the new pieces, if they are signed, is usually
very poor or smudgylooking when compared to the old signatures.
3. Shape of the Blank The shape of the blank is usually different from the old
ones, especially the 7" plates. They are usually almost twice as thick and have a
high spot in the center of the blank.
4. Wear Marks on the Bottom and Face of the Blank Be sure to look for wear marks
on both the bottom and the inside of the piece, and look for damage, as most old pieces
will have some small nicks or abrasions on the outer edge or bottom.
5. Diamond Wheel Cutting All of the new pieces have been cut with diamond
wheels, which leave small grooves in the glass which can be detected if you look very
closely. Most of the pieces are Acid Polished, which can be seen if you examine the piece
very carefully. I have a piece of Libbey " Grand Prize" which was polished on a
wood or felt wheel because Libbey didnt use acid in their earlier years; however,
this piece fluoresces Pink, is in a pristine condition, has a bad signature, and was cut
on a diamond wheel. There are several mistakes in the pattern, which leads me to believe
the cutter had never seen a real piece of "Grand Prize." I purchased this piece
several years ago, before I was able to detect fake Cut Glass.
Following is a list of new pieces in named patterns that have been sold in the last 8
to 10 years:
- Aberdeen Jewel
- Alhambra Meriden
- Byzantine Meriden
- Theodora Meriden
- Arabesque Hoare
- Creosus Hoare
- Wedding Ring Hoare
- Wheat Hoare
- Arabian Egginton
- Calve Egginton
- Cluster Egginton
- Genoa Egginton
- Persian Egginton
- Russian - Egginton
- Clover Hawkes
- Concentric Circles Hawkes
- Coronation Hawkes
- Grecian Hawkes
- Lattice & Rosettes Hawkes
- Nautilus Hawkes
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- Panel Hawkes
- Panel & Pillar Hawkes
- Queens Hawkes
- Columbia Libbey
- Grand Prize Libbey
- Imperial Libbey
- Isabella Libbey
- Kensington Libbey
- Comet Libbey
- Marcella Libbey
- Drape (Morello) Libbey
- Aztec Libbey
- Assyrian Sinclaire
- Du Barry Quaker City
- Good Luck - Bergen
- Quatrefoil & Rosettes Clark
- Rex Tuthill
- Shell Tuthill
- Trellis Egginton
- Jewel Center Hobstar Jewel
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I have never seen or have been able to purchase a fake piece of Hawkes
"Gravic," Sinclaire Engraved Glass, or Tuthill Engraved Glass, which leads me to
believe the cutters never had the ability to do this type of work.
I am still doing intensive investigation and hope to apprehend the person or persons
who cut these fake pieces of glass. A conservative guess would be that from 3 to 5 million
dollars worth of this glass has been sold in the last 8 to 10 years. The next time you
purchase an important piece of glass, be sure to ask your dealer where it came from. You
are entitled to know the history of every piece you buy.